In the era of streaming and 8K video, newer codecs like H.265 (HEVC) and AV1 offer significantly better compression ratios. A file in H.265 might be 10% the size of a ProRes file of the same resolution. While ProRes remains the king of editing , it is not suitable for distribution to the end consumer due to file size.
| Pros | Cons | |------|------| | Excellent image quality | Huge file sizes (1 GB/minute for HD ProRes 422) | | Very fast editing performance | Not ideal for streaming or web delivery | | Widely supported in pro software (Premiere, Resolve, Final Cut, Avid) | Primarily Apple ecosystem (though Windows works with plugins) | | Preserves alpha channel (ProRes 4444) | Limited playback in consumer media players | what is prores
Traditionally, RAW video was uncompressed and required massive bandwidth. ProRes RAW compresses the raw sensor data (before it is demosaiced into a standard video image) using the ProRes algorithm. This allows cameras to record high-quality RAW video onto standard SD cards or SSDs—a feat previously impossible. It gives filmmakers the ultimate flexibility to change white balance and exposure in post-production while maintaining the manageable file sizes and smooth playback performance characteristic of the ProRes family. In the era of streaming and 8K video, newer codecs like H
It trades storage space for speed and quality. If you’re serious about video editing—color grading, adding effects, or working with multiple layers—ProRes will make your life dramatically easier. If you’re just sharing clips with friends, stick with MP4/H.264. | Pros | Cons | |------|------| | Excellent