The composition represents the Holy Trinity: a floating, headless torso above Christ signifies God the Father ; a barely visible dove on Christ's shoulder represents the Holy Spirit ; and the central, translucent figure of Jesus represents the Son.
But he wasn't there for the spectacle. He was there for the painting in the upper gallery. The Last Supper.
He looked at the bread again. It was broken. It was jagged. It was real. And it was enough.
He turned and walked toward the exit. As he stepped out into the grey, rainy street of Figueres, the world looked different. The rain didn't seem so metallic anymore; it looked like glass, washing the air clean. He walked toward his hotel, the image of the translucent Christ burning brightly behind his eyes, a lantern in the dark.
Elias looked back at the painting. The "Nuclear Mysticism," as Dalí had called it, suddenly made sense. It was the mysticism of the atom, the invisible energy that holds the world together. It was the science of God.
She turned and walked away, her footsteps fading into the silence of the gallery.
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