Oblivion Open Matte [repack] 〈90% PREMIUM〉

There is a long-standing debate among cinephiles: is the 2.39:1 crop the "correct" artistic choice, or is the Open Matte the "intended" IMAX experience? For Oblivion , the answer is both. Kosinski and cinematographer Claudio Miranda composed for the widescreen format, but the 1.90:1 IMAX presentation was a deliberate creative choice for theatrical audiences to feel the "weight" of the sky.

While some international TV versions (like those in Russia) provide the open frame, they often suffer from "pan-and-scan" crops or odd re-framing that can actually lose side information while gaining height. Verdict: A Visual Essential oblivion open matte

More strikingly, the open matte changes the Tet. In widescreen, the tetrahedral alien mothership hovers as an abstract geometric god. In open matte, you watch its shadow creep down the screen, swallowing entire mountain ranges. The scale becomes sickening, sublime. There is a long-standing debate among cinephiles: is the 2

For collectors, it’s the definitive version. And for anyone who thought Oblivion was just a glossy Moon / Wall-E remix, the open matte says: Look down. The story was always in the ruins beneath your feet. While some international TV versions (like those in

Normally it would be done with blue screen and you'd just fill in the outside, but what we did was take an old technique that Stan... The Playlist Oblivion Article - Keslow Camera Page 4. Oblivion is the brainchild of Joseph Kosinski [see Exposure page 30], reunited with his cinematographer from Tron: Legacy. Keslow Camera Joseph Kosinski Talks OBLIVION, Using the New Sony F-65 Camera ... Apr 18, 2013 —